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17 de Octubre, 2006

Mi Familia [4] -The Grand American Dream and El Barco de la Ilusión

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EVERY FAMILY IS PARTIALLY WOVEN OF MYSTERY, and comes together through seeming chance and often amazing happenstance. When I look back on all the times people in my family went against the grain, or followed a personal vision that required stout heart and hard work, I am humbled. And grateful. And often, in awe. They were all very strong-willed people, even when they were only dreaming. Especially when they dreamt.

When a person is divorced from their own causes and origins they are attached to nothing but their own notions of all the disparate objects around them, and their feelings about these things. In the end, they may choose to identify with any of it...or not. Who is to say how firm a connection is made there. Because when I am by myself, and only of my self, I am beholden to nothing, contiguous of nothing, a marvel sprung from dust, and one soon to return to dust. But with a larger context? When I sound out my name and think of the places from where it came; when I look in the mirror and think of the lands from which my bones have been knit; when I think of where hands like mine and eyes like mine have lived, then I belong to a legacy; I owe a life, I add to a story, I draw from the strength of an ebbless fount, and I contribute to the future flow.

This is why I write the Mi Familia series. And in today's muy especial version you not only get an unpublished story from the award winning author Juan Felipe Herrera (my father), you also find out how the very first tortilla machine in San Fran's Mission District came to be.

Family history is a tapestry that always enchants me with the richness of its weave and hue. Sometimes one tiny question, or one dusty box from the attic can open up a whole world of knowledge. And sometimes, the questions refuse to be solved. They just turn up over and over. What was Mollie's real last name, before she took one from the clerk or officer at Ellis Island? Why did Uncle Jeno spend 20 years in a military hospital, once he fulfilled his dream of coming to El Norte? What could possibly fell such an ambitious and determined person? These I may never solve. Others knots I slowly unravel.

In today's Mi Familia entry, I'm here to take special note of Roberto Quintana, although his story weaves around others, of course. If you recall any earlier entries in this series, you may remember the names Lucha, Beto, Chente, and Juanita. My nanita (abuela/grandmother), great Uncles and bisabuela (great-grandmother).

As I mentioned, I'm also offering a bit of a scoop and a glimpse into my father's writing, and I hope he doesn't mind! I pull this story from a draft of a book not yet published. (Please consider all rights held in reserve, no reproduction, etc). The book recognizes Chican@ achievements, and in it is a story about those people I've talked a little bit about already: Roberto Quintana and Geno (Jeno) and their sister Lucha (my nanita) and their mother Juanita (mi bisabuela). It tells an interesting tale, and also notes some historical points in the ongoing story of Califas.

Bringing the piece over here wiped the formatting, and I had to add italics which may not have been there. Again, it's not a final draft, and my father probably intends to polish it up a bit. But I love it for the story, and cannot hope to reword or summarize it, so I give it here in its imperfect form. In the case he does not want it publicized yet, read it now before I am told to yank it! (All images thrown in by me.)



Roberto Martinez Quintana
1900-1978
By Juan Felipe Herrera

“Be el vocero de la gente, the voice of the people!”


¡Vámonos al norte!

Shouted Roberto to his brothers Geno and Vicente at the age of twelve. Let’s go! If we don’t leave, the revolution will roll right over us! We should roll over it! He said jokingly moving his hands as if rolling tortillas. His pants were ragged and his shirts flapped in the windy alley of El Niño Perdido, the Lost Child, in the center of Mexico City.

The year was 1912 and the Mexican revolution was two years old; people jumped on trains, others rode horseback, many simply carried their satchels on their backs as the city braced itself for gunshots, cannon balls and change. ¡Vámonos! Roberto cried. In el norte, we can join the American Army and with our pay, we can take care of our mother Juanita and two sisters, Lucha and Aurelia, Roberto said, hopping on one leg and kicking his heels.

Always cracking jokes, the family ignored him. They knew he loved to hang out in the Las Carpas, and listen to clowns, comedians and singers in the makeshirt tent-theatres that traveled through the markets and barrios of the boisterous booming capital city. One of his favorite comedians was his very own friend, Cantinflas.

Six years later, Roberto, his mother, brothers and sisters hitched rides and made the trek to Juarez, Chihuahua, a border town on the edge of the state, next door to El Paso, Texas. There, the family settled in a shanty by the El Río Bravo, separating the two cities. Pancho Villa, one of the great leaders of the Revolution had just ridden his horse Siete Leguas to El Paso to speak of the revolution. Roberto listened to him on a radio: “We must give the land back to the people, we must reward those who work so hard under the sun.”

Not long after that, Roberto’s mother, Juanita told him, I am sorry son, but I am going to send you away with your brothers to live with my uncle Arturo. Otherwise we won’t survive on the few pesos I earn washing floors and cleaning people’s houses on Mt. Franklin in El Paso where the rich live. And my sisters? Only Lucha will stay with me, she’s the smallest one. One day, Roberto told his mother Juanita, you are going to hear my voice on the radio too so you won’t have to work so hard and so we can all be together again.

Still in his teens, Roberto made ends meet for his family by selling newspapers and sodas in Juarez. He joined comedy troupes, wore baggy pants and short straw hats and passed the hat around for spare change, He even helped his brother chente and sister Lucha make toys out of wood for one of the stores on town. By the time Roberto was twenty, the revolution was over and there was a lot of commotion in the air; he sported a fancy cap and whistled the latest tunes blasting out of the downtown stores. Roberto was inspired. It’s time to join the Army in the United States! He told his brothers one day while visiting his uncle Arturo. It’s just a hop, skip and a jump – across the river! Are you joking? Chente asked. He’s serious, Geno the oldest brother said, remembering what Roberto had said years before.

Roberto and his two brothers enlisted in the army in Fort Bliss, a few miles from El Paso. The year was 1920. Mama Juanita gathered the children and moved into the poorest section of the city, a brick building on third and Campbell streets in el Segundo Barrio, the Second Ward.

After serving two years in Fort Bliss, Roberto came back home and a few months later began to work as a DJ for a new radio station in Juarez, XEJ. What are you going to name your show? The manager asked. After thinking about all the changes rocking him and his family to and fro, as if in a wild wavy ocean, he said, El Barco de La Ilusión, The Ship of Illusions.

During the late twenties and thirties, Roberto’s radio show became one of the most popular station on both sides of the borders. He played the music of the day with songs by Agustin Lara, Lucha Villa, Pedro Infante, Tito Guizar, and he brought on board a co-host Jermán Valdez. He taught Jermán a few jokes and gave him his comedy name, Tin-Tan.

They both tickled the funny bone of thousands across both cities. On occasion, Roberto featured new talents. Today, ladies and gentleman, he would start, we have El Charro Avitia. Then, one day in 1940 Roberto’s mother, Juanita Martinez de Quintana, passed away from a stroke.

Let’s go south, to Mexico City! Jermán told Roberto. South? Yes, Jermán replied. We’ll become famous movie stars! No, we must go further north. That’s where we will survive and take care of our families. Not long after that, Tin-Tan went south to Mexico City and Roberto, with his wife Albina and children Judy, Beto and Graciela headed to San Francisco – el Norte.

In the misty city of the Golden Gate, Roberto struggled to find a job. There were no Mexican radio stations, no comedy-tents like the ones in Mexico City. After finding a place to live in the Mission District, he joined the Teamsters Union and worked as a warehouse man, moving boxes and hauling sacks of coffee beans.

He wandered about town, WWII was over. When he passed by Union Square, he could hear the Lawrence Welk Orchestra in the lobby of the St. Francis Hotel. He missed his days of laughter and charros and the music of Mexico – of family on both sides of the border. After visiting his friend Tin-Tan, now a budding movie star in Mexico City, he made up his mind to bring the sights and sounds his beloved home-country to the United States. But how?

Let’s start our own Mexican Festivals here in San Francisco! He told his pals at the warehouse. By the early fifties, Roberto founded the Comité Civico Mexicano and inaugurated the first day of city-wide festivities on the sixteenth of September. City Hall opened it’s doors at midnight for the comité and Roberto raised the Mexican flag in honor of Mexico’s Independence.

At about the same time, Roberto began to volunteer as a disk jockey in Oakland. The daily Barco de Ilusión radio program from the Juarez and El Paso border became the weekend Sunday morning special called El Vocero de la Gente, The Voice of the People – the first Spanish speaking program in the Bay Area, Radio KOFY.

The Quintana children became part of Roberto’s troupe. He did not need to journey back to Mexico City after all. Little Judy became the secretary of the Mexican Civic Committee, teen Roberto Jr. became a bugle player in the radio show’s promotion rag-tag band, Banda Guerra and curly haired Vicente was know as “mi satélite,” my satellite, on the Vocero morning show. At the local cultural events organized to help promote the show, Mrs. Albina Quintana made her famous tostadas de frijol con queso while little Rosa helped at the tables and Graciela danced on the ballroom floors.

In 1972, Roberto now seventy-two years old, fell ill and passed away six years later. His son Vicente and daughter Rosa attended a special recognition ceremony at the Sheridan Palace in San Francisco, where their father was honored as a pioneer in Mexican radio. They received the trophy in his name. They did not have a chance to tell the public that their father also invented the first tortilla machine in the Mission District, opened with his wife Albina, La Reina, the first Mexicatessen on twentieth and Harrison Street and that he was a baker of pan dulce and Mexican candy on his off-hours from work.

They didn’t have to. Everyone knew who Roberto Quintana was, from Mexico City all the way to El Norte. They recognized his caring and positive voice -- You must be el Vocero de la Gente – the voice of the people.

And a letter from my father, sent only a month or two ago:

Hijo, how are you? I am en route to errandland, banko—

I found this great little foto of my uncle Jeno Quintana in a little leather purse my mother left with a few fotos and her social security card. She always talked about him - 'he was the visionary, it was his idea to come to the USA, he wrote the president of Mexico to let us go..' And one of his ideas, was to join the Army at Fort Bliss, El Paso, in order to bring over the fam from Jaurez, Chihuahua. And it was so. He spent 20 years in the SF Army hospital, mid-30's to 1957 when he passed away. I never met him. And I still don't know why he was in there.... Sometimes I think it was his ideas, other ideas."

—a letter from Juan Felipe Herrera to his son, 2006

Family. History. Dreams and consequence. Mystery.

Before I go any further, I have to say out loud that I am so grateful for these glimpses into the lives of my family. Each piece of knowledge enriches me and seems to fill in a tiny blank page somewhere inside. When I think back, I went for such a long time without any real knowledge of my antepasados, on either side! Even now, I only begin to collect these histories.

As you can see, my family line (up until me), has always believed in the dream of El Norte. You can't blame the unwillingness to assimilate on those who came before me, that's for sure! Even my father is (and I don't mean to speak for anyone else, he is free to disagree) a well-integrated part of this American system.

Why do I have such a problem with it? Of all these people on both sides of my family who have worked so hard, bent over picking crops in the endless sun helping the factories grow; who stowed away on ships to cross the ocean, and who even fought in America's military to make their way here and claim a stake in the American Dream—why do I, someone who has been forged of this culture and presumably the recipient of their hard works, reject it? What nerve and what right do I have?

When we can tell the children the truth in school and at home, and trust that they will love this place because of it—then I will accept the American Dream. When we can admit that this land has been forged on pain and blood and we can turn and face that debt, then I will accept this American Dream. When we can have a Democracy where it is assumed that each vote cast by a willing person counts and all measures are taken in accordance with this belief, then, I will accept the American Dream.

When we forswear torture of any sort for any reason, then this dream will have earned all my family has done to reach it. When we disavow wars of aggression, then you can have my hand on my heart and my lips swearing allegiance. When greed does not grease the wheels of opportunity, you can have my heart. When our leaders act as if they care for the poor and downtrodden, then, this dream will be worth the lives spent in climbing for it. When I can overlook all those harmed around the world in our name, or even next door in Mexico—or when we can make it our American business to stop harming others and use our might to help them, then the American Dream will be worthy of my own blood and sweat.

Regardless, I celebrate those who came before me, and the heart and vision that drove them. And the work they did to take care of their own, and make this world the best they could. And they did. It is not their fault that the great Northern land of dreams can only be reached on a ship of illusions.

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Comentarios (12)


Arcturus dijo:

GRVTR

Well, dayuum: fascinating, that. I think that for any us today, with any conscience left, feel the dislocation of Dream(s) betrayed - no matter our backgrounds or how long it's been since our ancestors migrated here. I know I've heard yr dad read a few times, but sorry to say the only book of his I own is Facegames w/ 2 great fast-clipped, energetic prose pieces: "Revolution Skyscraper" & "Veracruzing."

curiuosly (or not) by accident & dint of my father's post-college ROTC obligation, I was born at Ft Bliss

10.17.06 - 5:04 pm


nezua limón xolagrafik-jonez dijo:

GRVTR

ah, wild!

yeah...that's right. i remember revolution skyscraper....good stuff.


10.17.06 - 5:34


luisa dijo:

GRVTR

Thank you for this--I love learning new stuff about my city.

My grandfather also did back braking work in the Bay Area (after crossing through Juarez). He got his citizenship in the army where he wasn't allowed to go through the "white's only" doors. He didn't wear shoes to help put my mom through school. He believes in the American Dream. I don't. Most people were not as lucky as we were. There is only a sliver of a chance that working class children will become upper class adults.

I've read about it refered to as the American Nightmare.

10.17.06 - 6:01 pm


nezua limón xolagrafik-jonez dijo:

GRVTR

Thanks for telling me a bit of your story. Something I take pride in, Luisa, is that many of us American Mexicanos share history like this, history that is tied to a collective movement in time, and shared by a people. And often, only a generation or two away. My father worked on those farms growing up, himself, along with his mother and father. Myself, not at all. But knowing I share these things with you and others, in our pasts; it makes for a sense of shared culture and background. Knowing that so many of our lives and backgrounds travel these same valleys and cities and names is something substantial to me. And it is why these debates today on migrants, Mexicanos, farm labor, and citizenship and jail sentences levied on border-crossers ('legal and illegal') can never be simply a thought exercise for people like us.

10.17.06 - 6:17


Leesee dijo:

GRVTR

It's great to have a connection to the past because it creates such a richness to who and what we are right now.

It has been immeasurable consolation to my children to see that their family (ancestors)have been here all along, well since forever, and that helps them understand we truly belong here. Besides a border is just an imaginary line anyway.

Another thing, off topic, why do the women in these old time pictures look so sad? Or angry? Or depressed? I can certainly thank the goddesses I came of age right when the women's movement first began to flex it's muscles (so to speak). We have a long way to go however all worthwhile change take time.

Thanks for enriching us with your personal family history.

10.18.06 - 10:42 am


nezua limón xolagrafik-jonez dijo:

GRVTR

You are right. That is something else for your children. I can imagine. Good for them.

Yes...a border is an imaginary line...but measured in gold coin and drawn in blood.

As far as the "sad, angry, depressed" expressions—the women of these times and days past had a whole hell of a lot to handle, I imagine. Especially with the Mother-centric Mexican family. I can imagine quite a load.

Like my father's words note here, Mama Juanita had to slave to clean up after the rich, she couldn't even keep her kids with her. And I'm sure she had many other trials. Later, her daughter (Mama Lucha, mi abuela) lived on the road, and as a migrant farmer who was a second wife to her sometimes-present husband and who watched him die. The pictures of these women in particular do seem to show them with eyes full of feeling and steel brows. Funny, tho...I never saw it as sad, angry, or depressed. It always seemed to me that this woman must have been very strong.

...I bet if you shot a portrait of a Latina today, slaving in LA cleaning the houses of the rich and still unable to take care of her kids by herself...you'd have yourself a shot of a pretty intense looking human face.

My father is coming through my part of town soon, and bringing his most precious possession, Mama Lucha's foto album. He's going to leave it with me until I scan in the whole thing. So it will be interesting to see what the collection of expressions and faces like as a whole. Maybe we can find some happier shots!

Thanks for reading along thoughtfully, Leesee.

10.18.06 - 11:11 am


brownfemipower dijo:

GRVTR

nezua, this is amazing and beautiful--the picture of the three radios made me laugh remembering my dad's uncanny mexican ability to fix any damn thing mechanical thing in the world--we always had three or four radios just in case, you know? :p

i'm jealous of your pictures, of your history--my family was all migrant workers for as long back as I know about, and we just don't have this beautiful shit--I would love to know the looks of mi abuelita's face--of mis tias...

my dad was very intergration centered too--he was head of family (his father took off when he was nine), so he didn't "get" to go to vietnam, and he counts it as the disappointment of his life--that he didn't get to fight for his country.

you have such a gentle touch nezua, you make me remember things...

10.18.06 - 5:42 pm


nezua limón xolagrafik-jonez dijo:

GRVTR

thanks, bfp. migrant farmworkers as far back as you can remember is beautiful, too. i agree...i'm lucky to have these pictures. i feel the same way.

that's interesting, about your father. i guess i'm glad for you he didn't go...too risky and for what? thanks for telling me. and thanks for chillin', as always.

10.18.06 - 7:26 pm


XP dijo:

GRVTR

As for family roots, I have 1/8 German/Romanian/Austrian-Hugarian in me. My great grandfather on my father side immigrated and went through Ellis Island (last name was changed) and some how ended up in Laredo. He was in the US military, so I am guessing it was when the US sent its army during the Mexican Revolution.

My great grandmother from my father's side on his mothers side was born at the infamous King Ranch. She had many indigenous features, but it hard to tell how her parents got there since that part of history is never really told.

10.19.06 - 8:41 am


nezua limón xolagrafik-jonez dijo:

GRVTR

This is why I am doing what I am doing now...so that my children don't have to hunt far and wide for information that may never be found.

XP, We have similar roots, that's cool. Such faraway places coming together, it makes you feel sort of like a collector/collection of rare spells or flower pollens. A magical genetic and spiritual satchel of moñtana infusions....gypsy medicine man wizard warrior!

Dig those roots.

10.19.06 - 9:18


working gringa dijo:

GRVTR

thank you and your father for sharing these stories...


Joe Gallardo dijo:

GRVTR

I am looking for information about El Barco de la Ilusion radio show. Specifically about a group called Las tres Chatitas, that would have included my grandmother Refugio Aguilar and her sister Eva Aguilar. She will be turning 90 this year and I would like to put together some type of presentation about her past that she covets so dearly. Anything would be greatly appreciated.
Joe Gallardo