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18 de Diciembre, 2006

Jungles of Injustice and You: the Big-Hearted Guerrilla

Categorized under Acción , Arte , Derechos Humanos , Hipnotismo , Oaxaca , Raza , Resistencia | Tags: , , ,

foto by NezuaART HAS BEEN ON MY MIND. And "art" has been on my mind. And Doing Something to Help has been on my mind. And ideas have begun to come together for me as if revelatory. Which is funny, because the ideas that have been ringing out (like fat raindrops on
una campana de plata
) are not new, not obscure, and probably obvious, if someone were to view my path from the outside.

It's true that since I was small I've been able to draw, and play with language. But a real Artist doesn't just exercise a natural talent for hand-eye coordination, or an innate ability to turn words on their ass and make them sprout flowers from glass. That would be empty form (to me). And of course I cannot define anyone else's purpose, so know I speak only for myself. And for myself, a true Artist serves a purpose, is like a Nun, weds themselves to a higher calling. You are free to think of me as some sort of overly-romantic, self-indulgent lunatic who puts on airs, if that helps you and your purpose. But I do believe this.

As an artist, I've been thinking a lot lately about "art" and how it is used, made, what it says, and what the "how" of its being made says. Specifically, I've been looking at this very elitist sort of Ivory Tower "Art in America" subscription that I've seen around, have a few copies of. You may know the mag. It displays a lot of what I call "Idea Art." As in you don't really get it until you learn the idea of it. Now, there's something to be said for conceptually-thick art, but then it gets to a point and I'm looking at this shit and saying "Gee, it sure would be nice to have a 5000 square foot room so I could paste up oldman ear-hairs every 100 feet to Make a Statement about the Resonance of Nothingness in the Cochlea of today's Dialectical Mechanism!"

Actually, that's not quite true. The thought that goes through my mind is more like "¡Oye! What a load of pretentious, elitist, inaccessible mierda!" Art that requires an education to "get," real money to make, and yet spends its time critiquing the culture that it absolutely requires for itself to exist! Buncha ridiculous, lingo-dropping, upper class conceptual masturbation. Just another sign that reads "NO SIGNS."

So I began looking into art with a different agenda; art that comes from a different place of ideology, art that does not require the constant contribution of cash, expensive canvasses, gallery space, art courses in spendy schools, or dialogues in classy magazines. I mean what is all this? I have bumped up against the expensive and snooty-tooty nature of making art or music all of my life, and it always infuriated me. You would think, since artists have inclinations/talents that run to areas that are difficult to profit from, the materials would not be priced as if being bought by rich people. But of course, in a society where art and music are but frivolous hobby-type things, or means of entertainment, the materials will be sold for top dollar.

In cultures like Ancient Egypt (and I'm sure many other parallels could be drawn) the artist did a job of channeling something important to the organism of society, to Humankind. Now we have her/him as a tap-dancer and a clown and a Thing to be owned, a commodity, a fucking celebrity. We've completely perverted the role of the Artist in order to nullify his/her messages. Because the artist does speak from another place, and it is a role every culture needs. Whether a true artist (and I don't mean someone who has become practiced at Anime style, I mean someone driven by an obsessive "out of balance" need to speak back to the cosmic conversation) is some kind of prophet, some kind of divine electrode, an emotional/psychic mirror, or nothing but a conveyor belt or repository of the collective unconscious—without the Collective group (culture) giving those outbound messages the proper frame, these creations/books/poems/stories/warnings/visions are nothing but flip-books for train rides; "flicks" you chew popcorn to; or a pricey room playing with a lexicon of elitist lingo that you squeeze through your cheesy, wine-tasting teeth. Artists are not jugglers, nor clowns, nor stars, nor should they be. They have a job here. We have a job here.

Because I see the artist's role as one crucial to the growth and survival of a society, I do not believe that art education (any education, really) or art should be expensive. Yet, they are, as every goddamn thing of value in this culture ends up being a commodity with which one person (or many One Persons) can profit and therefore scrabble to the top of that heap o' cash and comfort that our American Dream promises is desirable and possible. This also serves the purpose of keeping many of those artists silenced behind a wall of poverty, lack of access. I know, I used to be one. Miserable, on welfare, still furiously making much art/music in my little apartment for nobody but me, broken up by my inability to force myself through a square hole, completely obscure and unknown by any except maybe 30 people, no internet, no downloady, no books in stores, no tiny cult following for my music, no thousand views of one post I write in a matter of a day (with the help of some big linkers, thanks Jesus' G, Feministe, MyDD). And I would think "how many artists like me are there out there, who will simply die in obscurity?" because an artist is driven to share what comes to him/her so strongly, unbidden, twisting him/her out of shape, an ache that peaks into existential pain and despair if you are not doing your Work, if you do not throw yourself before people, into your Job, doing your work, exposing your quirk. An artist's role requires his or her life, if he or she is to be true. You are the sacrifice your gift demands. Any other choice is to lose your heart, the soul of your art, and your way. It is to default on a promise entrusted to your keeping by the Creative force that split your mother's life and body open to bring you forth.

downloadable poster ACTION HAS BEEN ON MY MIND. Child abuse. Oaxaca. The Long War on Mexico. The Imperialist fungus creeping over this world and tainting so much. The Horror we continually rationalize in Iraq. The same fucking conquest rolling on and on and on and on. And my feelings of helplessness. American society, drowning in comfort and mostly oblivious to the corpses and nightmares that our beautiful walkways and malls and economic comfort requires. How we are, and have long been, yoking many parts of the world to pull us wherever we want to go. And here I am. Watching my people vilified and abused while I chill in la casa del Conquistadores.

Turtlebella caught wind of some of my angst/planning/hintage, and requested summa hint. And I wanted to smooth out this post more, perhaps do an Orcinus style, ultra-dense, academic style block of conjecture, theory, and clever analogy. But today [yesterday] bfp brings up the question of what to do in solidarity or to affect change for Oaxaca for those of us who cannot be there, or even at una gran marcha, like the one in LA, or Pittsburgh, in Syracuse, or Pennsylvania, or Chicago, or if you are by no city at all and cannot get there. And my particular thoughts are simply that I need to DO more. You've seen this arise in many posts, I'm sure. It's like this morning, when it was still dark and I woke up to read yesterday's paper, and of how yet another case identical to the Nixzmary one that shook me to the core, has happened locally. Her name was Lacey Folenius, and her bus driver watched her get on the bus every day with new bruises, finally a broken leg....and then she was dead, and the bus no longer had to stop at her house. Up until the end, the bus driver took notes, kept diagrams, was reporting it. I really appreciate that. But I know about that system, and it is ineffective. That is why she died before anyone helped her. AGAIN. Reporting child abuse is very good. But understand that like voting, it is not Doing Something. As Thoreau reminded us, this type of action is only a symbol that shows what you would like to happen. Doing Something—or "action from principle" as he put it—cannot be sublimated or symbolized. Ever.

This is why I risked my own apartment situation in the late 90's when I walked downstairs after listening to my landlord and landlady screaming at their kids and knocked on their door and told them I didn't think it was right. I'm the kind of person who needs to DO something. Because ONLY doing something means a fucking thing, okeh? In this world of matter, mass and motion matter.

Action from principle—the perception and the performance of right —changes things and relations; it is essentially revolutionary, and does not consist wholly with anything which was. It not only divides states and churches, it divides families; ay, it divides the individual, separating the diabolical in him from the divine.

>- Henry David Thoreau

Springfield Register GuardI was sitting there in the near dark living room, looking at this little girl trying to make a smile to the camera with her bruised face, knowing now that those bruises had finally broken open and drowned her heart and life and I was crying like a fool, and my hands were gripping that paper like it would tear in half any second, and my frame was shaking. You see? I began thinking of what design—and this is why I say artists are like cripples—as I was shaking and crying, what design would go on the T-shirts that I made for the gang of vatos that would walk with me to patrol and look for child abusers. Because that's what I want to do. I want to interrupt motherfuckers in the supermarket. I want to reach in windows and give it back to these men and women, I want to rescue that child. I want to make an actual posse that cares about lonely, beatup, sad, ruined children enough to walk AROUND and LOOK for them. Because they are everywhere and you and I go on living our fucking blah blah lives typing this and that and the other and there are children staring through their dark ceiling every night and giving up silent, copious tears to a blind and deaf god. Every day, every night while we smile and doze off with a glass of wine or tea, there is a child who cannot understand why his very own parents hate him and want to kill him. And I cannot rest or forget the slightest bit of this.

Ultimately, you think to yourself, What will wake people up? What will steer this violently numb dialogue somewhere important? What will CHANGE things? What can I do? And anyone who thinks about these things intelligently and knows the intractibility and slow pace at which the gargantuan head of our social awareness moves eventually considers drastic means. to bring attention to what matters. After all, what can one do to snap a hypnotist's subject out of a trance? Of course, anyone with instincts of self-preservation backs off of these urges. Doing the wrong "dramatic" or "drastic" thing nowadays will get you killed. And I don't mind dying for any of the "causes" or "issues" that move me in this way. But only if it will do some good. I mean real good. And I don't mean "good" as in assuaging my own conscience. I mean good that figures into other people's lives. I understand why this man immolated himself. Many scorned him, but not me. Because I understand. I don't write it off to bad therapy, or Lonely Divorcee. Fuck that nullification of this sensitive soul's plight. I feel the same way. How do I go on living in this world in any sort of comfort, knowing what I do about the Deal? You've read my posts where I ask almost this same question. Many times. How do I make my awareness settle? How do I shut up my conscience and go on as if it's all acceptable even for one half minute?

And I think this is what happens to so many adults. That is why they are glazed and half-game and obvious to children as fools and hypocrites. It's sad, and I've seen it for years. It took me a while to figure out, but I do think I have. Somewhere in life, these people saw the Truth of things. And they cared. I postulate that maybe it was having some real history creep in after HS, in college, but then they suffered from having the words of true thinkers and ideals of conscience smashed up against the practical and numbing reality of the Real World, time clocks, obligations and a need for comfort and inertia and security. We sell our awareness and conscience in small installments. It's the only way we'd ever do it.

So I don't know when it happens for sure, but that's my guess. And whatever it was that daunted them, these people—faced with the ultimate challenge that awaits every true thinker and do-er and potential hero, which is to break down, break away, and break open—they felt themselves too small, or too ineffective to change anything. So they turned away from that truth, and sought comfort or escape from the awareness. And it ruins people when they do this. They begin to go mad in little ways. Eventually, this conflict swallows their inner voice and inner peace, no matter how they run. Because inside, we all feel the urge to Do Something to make this world the place we feel it ought to be. It's the State that tells us that TV is enough, that Xanax + TV is enough; that Job + Title + Zoloft + Allegra + Blog is enough. That voting is enough. That we are weak and ineffectual. That we ought to get along and make do and Get Over It. That Principle and Ideal are for books and teenagers who will one day "know better" (aka "be numb and self interested enough to let it go.")

But all this is a lie. And those stories of amazing movements and deed and change are made of people like

you

and
I.


grafik by Nezua YOU ARE FREE TO CONSIDER THIS A JUMPING OFF POINT for your own thoughts about action. I don't mean to dictate what anybody should do. As I said in my intro to this blog, it's a big enough job for me to stay on top of my own awareness and role. I can't pretend to know for you. If I do, please forgive me. I forget all the important things from time to time. But I do remember, given a chance. And what is important is that we are all honest about our experience. It is in the nexus and overlapping and conjoining of that truth that we will find Answers for us all. That is why evil movements like the Bush/Cheney/Rummy/Condi/Clinton organisms that find their way to power and secretly and deceptively rewrite the World's experience and keep it from all of our eyes are enemies of the Human idea of progress and Good. As is the recent perversion of language made so trendy by our government. How can anything but Truth save us? It cannot, it can only make the journey harder and longer and more painful to more people.

When I read this, and this, this, and this, I began to think to myself. Wow, I thought. A way to get my body involved, use my natural gifts, further my own role as an Artist, and actually have a hand in starting real dialogue in places that, without my action, might not have it. AND I don't have to get killed doing it! It seemed like the perfect thing. So I began putting together a poster or two. You can see one above (the Oaxaca one). I'm not absolutely sure what will start the right conversations, and I'm not saying that hanging posters is where we should stop with this kind of thing. One needs to look at the area they live in. If I were still living in NYC, a poster would never do. Nor would a spray-painted stencil on concrete. Because new york is a constant hive of art students, actors, artists, people inundated with a billion thousand foot advertisements, you need a different dialogue. And there are some guerrilla artists who do work in NYC. But you have to hit really big ads there, and I'm personally not so much into serious heights, or hanging from building ledges or balconies. I've done it (when DPing films) but I can't say I could make it a regular thing. So it would be harder in NYC, but you could still do it. I've been on trains when people are doing guerrilla theater, and I would say that's a bit more effective. Many conversations begin in NYC (as in other places where so much information and students can gather), but NYC is hardly the only or most important nexus of change or focus of action in this country. We need all of us on this one. Without many, many, many of us coming to awareness, nothing will change. Or change will arrive in miniscule increments that let many children die, many families broken up, many POC kept under the heel of the White Lens, many more tragedies unfold globally in the meanwhile, and eventually will be absorbed into the deeper sea of discord and what will remain will only be the appearance or announcement of change.

I use my advertising mind, my media-slick mind, the part of me that is completely trained and kept in practice by the very Western elements of my upbringing and education to fashion the right messages on these posters. I don't think I can come straight with it, one has to move around the obstacles that will exist to absorbing media the average, media-benumbed citizen of the USA. You can see where I'm going with the message above: "Good Americans should ignore Oaxaca." (Note, the image of men walking downstairs from another poster, I changed it for this one). I want to start conversations that may, I hope, catch fire like those that spread across the Western US every summer. It may take ten posters, or one that is ten times bigger. Even so, I don't think posters in odd places saying odd things—or even graffiti that makes points, or gitmo dolls in disneyworld—will BE the change. Or even spark The Change. But I think we need to bring the conversation out of the blogs, out of our 3D circles of people we may know, out of the common channels. Or let me pull back from that way of talking and say that I know that I need to. It feels right, and it gives me something to do with my body out there in the 3D world, which I've been craving. So watch this space for more posters. You can click that one above to dL the full size and print out.

People are good at heart. We all want happiness for people like us. We all want justice and fairness and love for people like us. We just forget that we are all Like Us, behind our fears and prejudices and learned ignorance and practiced illusion. Underneath the layers of sadness and boredom and fear and the fog and haze of self-pollution and self-doubt, there is a fire raging, a beautiful and pure fount of strength and goodness and fearlessness. Within each and every one of us. Sometimes it smolders when the skies grow dark and wet.

If I can be nothing else in this life, I pray that I may be or might be allowed to be—or may help to bring about—just one tiny spark in that heap of forlorn ember.


Join me.

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Watcha: the cyberbarrios crackle and hum with palabras de Jungles of Injustice and You: the Big-Hearted Guerrilla:

» Mexico Profundo and A New Way Forward from The Unapologetic Mexican
GUSTAVO ESTEVA has written an amazing three-part article on Mexico's divisions and decay, her history, the effects of NAFTA, Neoliberalism, the EZLN (and why they are a hugely important fact), Globalization, and the roots and reasons for what is... [Read More]

Tracked on 21 de Diciembre 2006 a las 02:11 PM

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Comentarios (14)


petitpoussin dijo:

GRVTR

In this post you ask so many questions that I ask myself - what am I creating, what am I putting into this world to even begin to balance what I'm given? How can I resist the elitism that we're taught to believe is 'inherent' and 'good' in art and literature? How can I act from my little island (literally!)?

I love your poster plan, I'll spread the word about it, especially for Friday. Thank you for this post.


luisa dijo:

GRVTR

where do i begin? do you really wanna know what we think we should do?...and do you really want full disclosure in the bloglandia? hello NSA! ;)

i think about your questions a lot. The other day, i rented the film "The Educators"--a German movie about 20-something activists who break into rich people's homes and rearrange their furniture leaving messages on the walls that say things like "You have too much money," "Why do you need all of these things?" That was their artistic subversity. My mother used to work with a group that found a way to interupt popular radio stations and spout off their political beliefs on the air from an unknown location. I thought to myself, "Yeah, okay but so what?"

We have an immediacy to network and join in solidarity with people like those resisting in Oaxaca but I think we should also spend time discussing what this new world will look and feel like. It is easy for me to list the many reasons why this world is full of injustice but it becomes harder when I am asked to ideologically construct something else. I don't believe we need nations or laws or any beaurocratic apparatus to take our power with the promise of returning it. I don't think we need to be 'protected' from ourselfs. (this is one of the reasons I think representative democracy and communism can never really be considered 'free' societies).

Maybe the best place to start is to look back at our elders and figure out what worked and what ended up stiffling the movement. Who changed things, who fucked up big time along the way, who did a little of both (like Zeta: http://en.wikipedia.org/wiki/ Osc...car_Zeta_Acosta )

this is just off the top of my head but i'll get back with a thoughtout response.


nezua limón xolagrafik-jonez dijo:

GRVTR

i like your questions, too.

Maybe the best place to start is to look back at our elders and figure out what worked and what ended up stiffling the movement. Who changed things, who fucked up big time along the way, who did a little of both...

Particularly that one. It's of utmost importance to "know where you're coming from," as Bob Marley said. History; what has worked, what has proven to be a pitfall. Thanks for pointing that out. Great idea.

And no...of course I don't want us posting everything! Yikes. Please dont'. Nor did I post all my ideas. Just a starting point. If anyone thinks They are not watching this site, I would say the person is being very optomistic and probably a bit naïve. I write everything here with the assumption that it is being read by those who would love to purposely misinterpret me, and see demons in shadows. But let them watch. And let them come if that is what they want.

Socrates made the point that it is easy to deconstruct, and much harder to construct. And someone else says that every act of creation begins with destruction. (No, Uncle Alberto, this is not a call for demolishing the US or any turroristic actions) But I do think we need to dismantle certain systems in peaceful ways. Because violence begets violence, and once you kick that up, well. Who knows who will be left standing, if anything.

So I don't mean violence. But you pose a very good question about what is the end goal? There is much today—as far as oppressive laws, memes, and conditions—that need to be unmade. But what are we trying to make?

I begin with the idea of getting my hands and heart and body involved. That was my grain of sand, that was the burr under my saddle. I'm sick of just typing. I begin with the goal of bringing more awareness as to what is going down all around. I'd love to have more lofty goals, but I'm starting there. And I can't answer it all myself. Which is why I speak to you peeps, smart, thoughtful, knowledgeable people like you Luisa. Together, we can do a million times what we could every come up with alone.

As far as Oscar, well. We'll make it a point to keep the LSD and boatloads of yayo out of any plans, I guess.


lost land, aztlan dijo:

GRVTR

that is quite a mouthful, oh nezalcoyotl.
they set up these traps - art forum and such,
they have their own mafia to silence the art that comes from the perpetual human spirit.
your just exposing your own intellectual labyrinth.
perpetual.
to think a picasso goes for millions and the fascists cream in their jeans for any and all of art that is sanctified by the perpetual state.

the spiritual rot is very much in evidence in the international art market. i like jose clemente orozco. he didnt smile much but heh la realidad is una suca de onda.

the escape from freedom of thought and action is the leveling playing field. arte is excepting the nothingness and doing something about it.

this posting is tantamont to an existential crisis but somos mestizos, we have a cosmic disconnect with walmart and jeebus.

dale, your flamenco sister is pretty good.

arte is about remembering and the more you remember the better your chances are in the world colony called civilization, ... they art huddled in groups arguing about what time it is.
bingo gringo your polluted sense of time se acabo.
you put your jefes on the side of a mountain in the sacred black hills.

se acabo, nazhual is la lengua, dakota.


JVigil dijo:

GRVTR

Ah, but you do act Vato,...what is it that you do? your here, in this blogosphere...when you talk the talk your walkin the walk.....your educating, creating thoughts in others, giving voice to unspoken thoughts. You know the sayin', "If you touch (educate, stimulate, inspire, change, teach, etc) just one you have accopmlished something. And I will vouch that you have done that!
When you look for bad you will find it, when you search for good you will find that too, were you aware of the hundreds-yes hundreds, of attorneys that answered the call for help, pro bono, when the swift raids happened?
Your grief and pain at the world shows you care, keep doin' what your doin'.....


JVigil dijo:

GRVTR

Oh, and arte? Arte is a journey,a path to walk, mine is to educate myself. I have not needed the piece of paper to tell me I can do arte and i have succeeded beyond measure in spite of the "Art culture"....want in?


nezua limón xolagrafik-jonez dijo:

GRVTR

hell yeah i always want in!

thanks, JVigil. I really appreciate your words, what you say about what i do. you are right...but i guess lately i've been feeling the need to do...more. i'm sussing it all out, thinking. and thanks for that info about the lawyers that responded. that is good to know. i hope i'm not "finding" pain and sadness just because i look for it. i am looking for good. there is just a lot going on that is not good. it's hard to turn away or only see "good" when the war machine and the hypnotism machine rage world wide, every day. but i am thinking on what you are saying.

and lost land, aztlan, you drop some beautiful junk, thanks sand creek :)


nezua limón xolagrafik-jonez dijo:

GRVTR

ps

"this posting is tantamont to an existential crisis but somos mestizos, we have a cosmic disconnect with walmart and jeebus."

i agree with the second part wholeheartedly. but i do think that either i live in an existential crisis, or it is no crisis at all to look into your own heart and mind, but the way through crisis. i try to keep away from wrapping up my process now in a label like that. i find them...good for filing past events, but stifling to think of my path today in such a way—not that i feel you intended to stifle. but we use words in our own ways, so sometimes it helps to lay out what i mean, or how i am hearing others.


JVigil dijo:

GRVTR

Being a survivor of the war machine (15 years in the suck) I know your pain, it is amplified after the de-programing! But such is the fight, without the resistance all is lost to the " hypnotism machine".
email me on the arte...



luisa dijo:

GRVTR

"...when the modes of music change, the fundamental laws of the State change with them...." Socrates

Socrates may be a good place to start. He feared the power of music and other art forms. He thought they were a threat to a nation-state's boundaries (or, Borders, hmmm, how nice. i should go down to san diego to make some noise--maybe that fence would burst into flames :). Socrates (or was it Plato?) wanted to restrict artists because he saw how powerful art was to the youth--more powerful than any public 'schooling.' Therefore, he advocated for teachers to be very strict and wanted politicans to infiltrate the arts and control them for the purposes of national unity.

I don't agree with his call to control and cage the artist but his reasons why make me think. It reminds me of the Parental Advisory sticker wars a few years back. Politicans have always been terrified of how much power artists have in the lives of people when they are in their formative years.

I used to know this girl that worked for Tupac's mother. She was convinced Tupac was playing a part to gain popularity and that later in life, he would radically transform himself into a revolutionary--that he would leave all of the partying and bootycalls behind to return to his roots and that the nation would follow suit. At the time of his death, he was involved in a court case where a teenager murdered a police officer and, because a Tupac album was found in the car, the police blamed him. I don't think that anything was his fault but it just proves how alarmed the police were by the power Tupac might have held, power they could never have. The same thing could be said about The Beetles and Marley etc.--In Jamaica, if you ask people why they resisted colonial rule, many of them note the stregnth Bob gave to them through his songs (i don't think this can be said about any other musician in history...).

Anyways, I think guerrilla art can be very moving. It is one of the things I look for when traveling. It can be vague at times but, every now and then, i run across something that i consider brilliant, peaceful resistance. and it is comforting to know that you are ideologically not alone when you are in a foreign environment. There are many more of us than we think there are. the majority of people in this nation, and the world are not satisfied with our current status quo (at best. outraged, exploited and starving at worst). I think the more we communicate to each other-even if it is in little secretive messages on traffic signs-the better.


luisa dijo:

GRVTR

wow, did i just write all that?


nezua limón xolagrafik-jonez dijo:

GRVTR

good shit, luisa, and hey, i think you did!

marley totally inspires me. i grew up on him, i thought about his words as a boy, and i used a quote of his in the first few pages of my first book:

tell the children the truth

hell yes! thanks 'mana


nezua limón xolagrafik-jonez dijo:

GRVTR

Thank you Petitpoussin. It's great to hear.

kick it, ése.

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