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26 de Febrero, 2007
Our Hidden Hands [The White Lens III]
Categorized under La Lente Blanca | Tags: brown pride, racism, The White Lens
FOR THIS INSTALLATION of my The White Lens series, I give you algunas palabras de una private journal I've kept for a few years. This was written just as I was starting to surface from out of the White Magik Spell that had a hold of me for years. Although I have to tell you, this was a long, long, long, gradual surfacing.
I find this a very relevant and fascinating piece of text to both read and share with my regular readers. Not only does the entry have that private, honest feeling that a personal diary has, but it describes—as it is happening—some of the very thoughts and feelings that I make such an effort to communicate in this place. And there is something about reading the words as a person writes them down for himself, as opposed to reading possibly altered recollections that are pondered much later. Not that there is not value in both.
The entry has an edit for the sake of, well, because I wrote it not expecting to share it with an untold amount of people I have never met! But that omission is not relevant. Also, an edit for clarification, and once, I edit out my name—not that some of you don't know my real name already, but I do so hate to break our little Nezua-tastic spell. If you don't know my real first name, all that matters here is that it is a Spanish name that was mispronounced my entire life by English speakers. And that I was affected by always having to deal with that. (You can read more on that by reading The Skin of My Soul series.)
Any edits will be noted [in brackets] so that no changes are invisible.
Wednesday, November 26, 2003 – 14:00. Brooklyn. Had my espresso for the day. Probably wouldn’t have woken at 12, but I left my wallet in the bar last night. Yeah, M___ called and asked if [I wanted to hit the bar, so did]. And left my wallet and my rolling tobacco. A girl named Sabrina called and told me today. I called last night and spoke to a guy named Darren. It was at a place called Harry Boland’s, on 9th street between 4th and 5th avenue. Sabrina had rings in her nose and in her lips, too. She had brown skin, and was, perhaps, Dominican. Maybe Puerto Rican. Her hair was past her shoulders a little and in pretty tight curls. We laughed a little bit in the sunlight in front of the bar while she smoked one of my Drums. I didn’t know it was mine until I went in to get my stuff and she gave me my wallet and tobacco. I said “do you have any rolling papers?” and she said “you have some!” I’m probably addicted to having girls crush on me. That’s what I love. Forget the mess of sex and what it means once you’ve slept with someone. Sex is rarely as good, consummated, as it is in the anticipatory world. Forget the mess of aftermath. There’s so much hassle and mundane reality that it often cancels out the whole thrill of the approach. When you first meet them, and you are talking to them and you know you could ask for their number….that’s what it’s all about. Just knowing you’d probably get the number is probably sweeter than actually securing the digits, if only for its simplicity and economy of action. What do the French say? The best part of the affair is going up the stairs. It probably sounds very classy and time-weathered in French. I had half a mind to drink a beer – although I don’t really care for beer – and waste an hour and a few dollars. If you’re going to drink beer, there’s really no better time than first thing in the morning. Although it might be better warm. Anyway, I didn’t. I didn’t even comment on the fact that she got my name right on the phone. It didn’t occur to me until I got up the stairs and into the kitchen. I said to myself “Hey. She pronounced [my name] right.” ![]() When I got there, she was just stepping out to smoke. She said Hi, and I said hi and asked if she was Sabrina, told her I was [Nezua]. She looked pleasantly reminded of the phone conversation, but seemed confused about what to do with the freshly-lit cigarette. I just smiled, said “Finish your cigarette” and chatted a bit. Outside, she was laughing about how her and her co-worker were guessing my nationality [from my license picture]. They were both wrong. I am glad, though, that they were both guessing brown nationalities. That makes me smile. I love when other brown people know I am brown, too. I hate when white people never think to imagine I am anything but white. After, I took my leave with a kind handshake. And so I also am very tired of these blue contacts. Papi, who has a racial mind for much, as well as an eye that is always vigilant for the repression of the Brown (especially by the Brown) would say something gentle and pseudo-subtle about the covering of brown eyes with that of the Aryan hue. I don’t know that that was my intent. I[t] used to use one clear and one green. And then one order [? day?], I said “let’s try the blue and I can switch off.” I was only supposed to have one blue. The other was supposed to be brown. But I didn’t have the cash to buy the clear ones too. So now I have two blue eyes. Alien blue. And I miss my brown eyes. Now I do feel as if I am hiding my Brownness, even though I never set out to do so. I want my brown eyes to show. I walk down the street and see the faces of the Dominicans or Blacks and I feel ashamed of my fake White eyes. I want to join in and say “see my brown eyes? I am like you. I am of you.” ![]() I am quickly approaching the point of taking my lenses out while I walk around just to have my natural color back. Of course, this would be madness (or blindness, to be literal) and that is why I still have them in. I would not be able to see a damn thing, and in a city that’s not wise. But this is how bad I want my real eyes to show. This long time of having colored contacts has been good, though. Now I take them off and am very happy that my real eyes are brown. Am glad that wanting has brought me gratitude for what I have. Glad that I don’t have to wear brown lenses to meet my wishful image of what I looked like. ... Wednesday, November 26, 2003
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I guess, to be fair, the first thing I'd note is that I don't really know what my father would actually say about my contacts. He didn't see me wearing them, as we lived on opposite coasts at this writing, and much time went by between visits. But that's what happens when you let a teaching voice into your head and heart. You begin to hear your own internalization of that voice during your days, as you go about. I suppose this is the same reason I am violently against television programming, deferring to indiscriminate outside authorities, and not thinking and feeling things out at length for yourself. The wrong voice inside and you can find yourself living someone else's life. Too many of the wrong voices inside and you can pull in so many directions that you can't even see your own path anymore.
But my father's voice proved to be a good one, when it was there. He helped me begin to see the invisible choices I was making in my art, and this awareness fed other awakenings in me.
It's amazing and rather magical (in the same way that it is magical to watch rust slowly devour a once-mighty and seemingly impervious iron structure) how myriad choices that seemingly have Nothing To Do With Anything but our own unrelated desires can add up to serve as an agent of change for unknown agendas. And by this I point to my reasoning in this entry that the green/blue contacts had nothing at all to do with running from Brownness™. Just as the fact that I always photographed my face in such high contrast that no true skin tone showed, and only pitch black and bright white. That had Nothing To Do With race, either. Just art. Sure, I told people these themes were because of my innate sense of duality and dichotomy. But not Race. Not being divided over ethnicity or self-identification. No, just some philosophical sense of human duality. Like the white soldier who drew a peace sign on his helmet in Full Metal Jacket. That kind of thing.
Just as how the people I interviewed in my well-received documentary made at NYU called Skinthing had Nothing To Do With making a statement about race. It was a documentary on tattooing and piercing, and hey—I went for a day and interviewed whomever was at the shop! No conscious choice. I couldn't help it if the only person who could articulate their reasons for getting work done was a blonde white girl! The three brown people had no idea why they were getting inked. That was reality, right? I didn't edit anyone out. That was my father who pointed that out, too. Of course, like many WHITEPROGRESSIVES are capable of doing, too, I was annoyed at the consideration that I was creating some racist messaging.
But after much thought, I understood. And I mean much thought. And some time. Because I learned as well as anyone while in school that there is no explanation that can be served with images; no accompanying text. The frame marks the edges of a world. What is within that frame is That World. And regardless of my INTENT, I had created a piece that stated brown people were unaware, inarticulate, and acting only on unknown impulses (followers? wannabes?). While the White girl (who had many piercings so of course was an old hand to this scene and had time to think it over) had tons to say, and was featured with much more screen time.
Not about Race? Not at all? And named Skinthing?

Then, of course, there is the matter of this sequence. By itself, who could complain? It was reality. I had consent forms signed, everyone was happy. I did not arrange the process. I just filmed real life. But why didn't I include her reasons? Because, see, I just told you a lie above. About how I didn't edit anyone out. I'm almost positive this woman—who was a lawyer, I think did have some things to say on why she was getting her ankh. But it was nuanced, intelligent, thoughtful. Not fun for a soundbyte. That was my reasoning at the time. For that edit. That I found it fun to include all the people who shrugged when asked why they were getting a tattoo, or who just didn't know. So I wasn't trying to send any racist message. Get the hell out of my face with that suggestion. It was Other Unrelated Reasons.
But added up? What do we see? We see a White woman branding a prostrate Black woman. We see a different White girl who has lots to say on why she is getting pierced, and we see three Brown people who just don't know why the hell they are even having this work done to them. Add it up. What do we get? A racist film by yours truly. This film was given an award. This film was used for years by Albany County Public Health in order to teach tattoo artists and health professionals about safety issues. And how do I feel now, realizing what I have done? And realizing how blind I was?
Right. So that's why I expect those stubborn WHITEPROGRESSIVES to whom I sometimes refer to kindly shut and stop whining and pretending they have arrived, and work hard at seeing in themselves those Unrelated Reasons; to not immediately assume they are so above having hidden motives unknown to themselves. All of us here in this tainted fishbowl are polluted. Begin with that. We can avoid the whole RACIST fingerpointing game (who is, who ain't) if we begin with the idea that we have absorbed the messaging the White Dominant culture prefers, the messaging that bombards us all the time. You don't HAVE to see it working in your choices at first glance. You won't! That is the point. And if you think it takes some kind of superbravery to look at your own hands closely, give it up. If you think you are going to get a medal for exposing yourself and rooting these out, give it up. You are sooner to get an award for continuing racism than you are for dropping it by the wayside. It must be a personal goal. The reward must be your own health, your own heart, being truer to yourself.
I ache with regret at some of those things I have fashioned, now that I see them as misguided and harmful—as part of that same ocean of hipnotismo that so bent my own mind. I was not only operating blind, but I was a very busy blindman. Shaping signs and statues in the dark. Creating beautiful traps in a radioactive park. But my absolution must be found in moving forward, and away from that stained fouled ground. I cannot clean it up. There is no apologizing for being blind. I cannot call Jesse Jackson up, Al Sharpton don't give a shit, and I don't care what Al thinks about my growth, either. This is about me not being blind. So I can not hate myself. So I can be better for the world. Because I am Brown, you know. And if I am using the Dominant Culture's racist messaging, then I am hating myself, too. And I am done with that.
I'll finish this post by saying it's true—it certainly isn't easy to make this journey. And I do it publicly, and also shunting off White® people's reactions on the Regular. Which makes it harder. I do it in a location that is rich with White Supremacy, the Pacific Northwest. I do appreciate (very much) the solidarity I find online, but for the most part I do it alone, and living in a house of White people. They are progressive Whites, but the son (who is absent now) is a Skinhead. And of course, as we would all expect from our families, he is accepted and loved for who he is. I would not change that. I want for him what I want for myself. Healing. Love. Not punishment. But given that situation, this is certainly not the place I would have chosen for this dawning of awareness. Because these are not easy times to begin with. Like Eustace in the well, flaying off the husk leaves us raw and without defense. But my life is made of these impossible situations, and I have grown to expect them. It always has been. I am not whining. It is part of who I am that I refuse to let any of these challenges hold me back, and that I have always refused to acknowledge their lasting power over me.
So I make this journey expecting no praise, no help, and fully in the face of many who would—even subconsciously—shut me down or shut me up. They will not. Nor will I shirk from pain. Just as when you wake yourself from a nightmare and find your body paralyzed with sleep, awareness hurts at times. But I will open these lids of mine. I am opening them. The sun is shining, I can feel it. I will make my way there. Nothing will stop me.

There are moments, of course, that I feel that twinge of shame, and want to keep these truths to myself. Do you think I am eager to admit my failings so openly? That I am eager to show you my past unconsciousness, and what it has forged through my own hands? I hope I can encourage others who may be hesitant to plumb their own depths. But in the end, I don't do any of this to make an example of myself. I am glad to help, but I have a deeper motive. It is true that truth begets truth. And when you tell the truth, you do not expose yourself to harm. In fact, you arm yourself with the strongest weapon known to humankind. But I am after more than just dropping the scales from my eyes. I am after a road, a way of being, a way. As it was said long ago, seek the Truth and it will set you free.
Free. Nobody said pain-free.






Comentarios (10)
turtlebella dijo:
Damn, ese. This is some powerful stuff. I am so glad you wrote it. Because you articulate so well so many of the things that I think about all the time. About plumbing the depths of the racism that's deep within me. About my own white lens, the one given to me by my society. I am always struggling against it and sometimes winning, sometimes not. It is not easy. .And it will not 'get' me anything from the society at large, as you say. Only my own hearts ease at the end of the day. But that's not really an only.
I believe, profoundly, in this process. I too wish and hope and want those WHITEPROGRESSIVES - and actually just about anyone - to do the same. I try to get people to do it. Starting with my own familia, even.
The son who is a white supremacist...this is your son? Or the son of the family you live with? Am somewhat confused. But perhaps- if he is lucky- he carries your voice within him as you did (do) the voice of your father (that was a particularly beautiful part of your journal entry and then your current thoughts, by the way. It made me want to weep). For he has his own way, I guess. My brother had a time where he was incredibly anti-semitic and another where he was gun-crazy. He has found his way out of both places and is at a more peaceful one now. So one never knows, as you very well know!
En paz y en la lucha
(which are not mutually exclusive, after all),
love to you, 'mano,
turtlebella
Palabras por turtlebella spat forth on el 26 de Febrero, 2007 at 10:49 AM
nezua limón xolagrafik-jonez dijo:
gracias, turtlebella. yeah, i thought about it afterward. it's not clear. he is my brother-in-law. and he is a good soul. i dont actually know how much his heart subscribes to the hate. i think it is a gang for him, which comes from loneliness, wanting to belong, you know. all the other reasons gangs exist. its not to say i approve, or am not afraid of it. but in my heart, i understand. i just hope if it comes to any conflict, his heart has as much room for my humanity.
i'm very glad you could connect so much to this. thank you again. and yes, you put it well. en paz, en lucha, en solidaridad—
Nez
Palabras por nezua limón xolagrafik-jonez spat forth on el 26 de Febrero, 2007 at 11:05 AM
Kai dijo:
Poignant powerful stuff, Nezua, I really appreciate the approach you've taken to the writings in this series, which are almost frighteningly revealing without the exhibitionism of most "confessional" writing because of your clarity of purpose and your insistent inward focus.
Perhaps in some ways those of us who never had the option of even coming close to passing have it easier (inwardly, not outwardly), because we've never been confronted with having to choose. And if I look into my heart and imagine what I would have done if I had the option to pass as a youth, I don't quite know the answer but honestly would not be surprised if a young me would have gone for The White.
I remember, for example, in elementary and junior high school, the dread of listening to roll call on the first day of school or when we had substitute teachers, because of the embarrassment of first listening to the teacher butcher my name in front of the class and then the hassle of trying to teach them the correct pronunciation to the giggles and snorts from other kids (and I went by a longer Chinese name at that time, hadn't yet settled on my current nickname). And what's even funnier is that when my parents were coining my name, they paid particular attention to creating something that they believed Westerners would not abuse (it couldn't sound similar at all to any unkind English words) and would find easy to pronounce. And it still failed; not because my name is hard to pronounce, but because as soon as a Westerner sees a Chinese name the brain panics and screws up the known rules of English phonetics. How nice it would have been to have a name that everyone could pronounce without a second thought and that nobody mocked and chanted in the schoolyard. How nice it would have been to be normal.
Anyway, keep moving forward, Nezua, you're creating momentum within yourself that others can draft along in. And while I know you're not doing this for anyone else, it is a nice perk for your readers, mano. ;-)
Peace.
Palabras por Kai spat forth on el 26 de Febrero, 2007 at 12:57 PM
nezua limón xolagrafik-jonez dijo:
thank you kai.
i think in some ways those who cannot pass as White have it harder. i think in some ways those who can pass have it harder.
of course the dangerous thing about comparing experience is there is no standard by which to rule. but for myself, i feel it is more confusing to be "ambiguous." forever there is the "what am i?" while if you are umistakeably one or the other, this question is settled. it is "more painful" to my mind to never be sure. "how do they see me?" and even more prevalent is "to whom do i belong?" the feeling of being rejected by both sides. not "white" enough for whites and not "mexican" enough for mexicans. it is a gap one could become forever lost in, or make their very identity. and what is an identity of not belonging, but one of unresolvable loneliness?
then you have people who are uncomfortable with your realizations, new identification (white friends of old) who want to resist and insinuate that you are putting something on, simply because you tried to be White before. there is ultimately, nobody to look to for affiliation aside from those also of the "borderlands" experience; that of being split, not belonging to one or the other. the fractured consciousness of the mestizo.
however, i do relate completely with the name thing. i think it was in The Skin of My Soul 1 or 2 where i told that story. that is exactly why i changed my own name at 8. i couldn't bear that anymore, that mangled roll call, the sneers, the mocking, the mangling jeering obscene englishifications of my name. that was one of the original seeds of my turning away from myself.
in the end i feel stronger for all that confusion i've had to make my way away from. not to say i have arrived. but it is either drown or swim. and us pisceans can't drown! that just wouldn't be right.
thank you again for your kind words.
Palabras por nezua limón xolagrafik-jonez spat forth on el 26 de Febrero, 2007 at 01:19 PM
luisa dijo:
I don't have time to write....
this post is fucking great and made me rethink a lot of stuff about my own issues with being "passable" and how to use that for agency or whatever. ohh god and your film story is my worst nightmare and why my film footage (if you remember) is in a box in the basement of my parent's house in cali...
Palabras por luisa spat forth on el 26 de Febrero, 2007 at 02:08 PM
Sylvia dijo:
I can only say that reading this makes me close my eyes and think. That's a sign you've touched on something.
Palabras por Sylvia spat forth on el 26 de Febrero, 2007 at 02:19 PM
nezua limón xolagrafik-jonez dijo:
thank you luisa. yeah. the film story. what a thing, this life, eh? i've always thought my life would be so much easier if i weren't such a loudmouth, kept my feelings, thoughts and creations to myself. but ah....i am who i am. my foot in mouth events are more like stick on drum events. or blaring-accordion-with-unpredictable-wrong-note events. oh well. i guess i have to learn to dance to them. or take up the words of thelonius monk who said, so beautifully, there are no 'wrong' notes....
--
that means a lot, sylvia.
Palabras por nezua limón xolagrafik-jonez spat forth on el 26 de Febrero, 2007 at 02:30 PM
turtlebella dijo:
yes, the passing thing. harder and easier, both. i can't really articulate much about it.
I had meant to say in my 1st comment- and Kai brought it up too - the name thing. I am going to have to go back to your post about that, which I haven't read. Because my name, which is longish and beautiful in Spanish, was routinely mangled. And I was made fun of SO much, I got terrible nicknames based on mispronunciations of it. I remember the pause during the first roll call as the teacher tried to work out what to say. And even earlier that, I remember as a really little kid having people ask me my name, my saying it, and people being utterly and completely stymied. They would try to say it with their faces full of confusion. And I would say it again - to complete silence. This was around the same time that I made the transition from Spanish to English (I only spoke Spanish at first, aside from a few English words I used with my dad, otherwise my mom translated). And so of course I said my name in Spanish. And English-speakers can't really say the soft D with which my name begins. Then follow that with something rather melodic and it was pretty much too much for the people used to Jennifers, Marys, and Elizabeths of my generation. Never mind that one of the most popular boys names was mine plus an 'a' - that never helped! I only realized this as an adult, at the time I didn't understand why the people around me couldn't say my name, aside from my family. Sometimes I think it's trivial. It's just a name. But on the other hand, it's my NAME, what could be more important to how I see myself. I think it contributed a lot to how I felt about myself (badly) and the decisions I made about passing (to pass).
A lot of this has healed. And as I began my way on the non-passing road, as I became a Chicana, as I became polticized, as I came out as queer, I simultaneously remarked to some friends that it saddened me that no one pronounces my name correctly (to their credit several of them tried really hard to say it right- but it's hard - a few of them got it). At the time I didn't even make the connection. But it's there.
Palabras por turtlebella spat forth on el 26 de Febrero, 2007 at 04:22 PM
Sylvia dijo:
My name's always clicked for people as "safe ghetto" name, because it's a purely French invention ascribed to a Little Black Girl Who Did Well In School. My first and last name have French undertones, but ironically, the only people I've found bearing my name are black women. And we own it well because we're often the only people in our regions with the name.
I befriended white girls in my all-girl high school because we were the top scorers in the advanced classes, and we gravitated together to praise and to eventually bash our coursework for its simplicity. And sometimes, when times got hard and coursework stopped guiding discussion, ridiculing my name would become a bonding point after they ran out of Keishas. They'd ask me why I wasn't a Keisha. And I'd go through the story -- named after a soap, my mom changed the pronunciation so it sounded like my father's name, and it's French but I don't know what it means. They always accepted the French argument, but they still thought it ghetto because of the modified pronunciation and because I knew fuck-all about what the word meant.
Eventually, to sidestep those conversations, I would say it meant "soap" and get everyone laughing at this name no one seemed to have at the time but me. But I never frightened employers because they saw that name paired with credentials, so I was different from the Other Black People. I was a smart, special Negro, and I always pushed that when I listened to my rock music or when I dyed my hair purple (which, incidentally, you couldn't notice except when I had a purple halo in fluorescent lighting). I didn't need other black people; I knew what blackness was. I didn't need other black people around me because I was the Highlander of Safe Negroes with the Safe Ghetto [French?] Name.
Needless to say, times are changing. I'm reluctant to say they've changed, but they're changing. Which is why I had to close my eyes and think.
Palabras por Sylvia spat forth on el 26 de Febrero, 2007 at 06:37 PM
mikefromtexas dijo:
Interesting journey you're on, amigo. The accident of birth and other ramdom happenstance place each of us at different starting points. How we move forward and find a path we can honestly and morally walk with our fellow travelers is an unending search.
Palabras por mikefromtexas spat forth on el 26 de Febrero, 2007 at 10:12 PM